Mozart on Debates
The memory-failing spouse and I attended a dementia-friendly performance of Mozart's The Magic Flute , by Scottish Opera, a few days ago. It was a matinee, sparsely attended, disappointing no doubt for the singers, but for the audience it meant that there was no audience-intrusion to distract us from the top-notch performance, and the unpretentious simplicity of the occasion was overwhelming. Readers will remember that there are three strands to this opera - the heroic couple Tamino and Pamina, who undergo ordeals, and summon up their courage by playing a magic flute; the nasty flim-flammerie of the Queen Night, whose aim is to plunge all other characters into such despair that they kill themselves; and the earthy clowns Papageno and Papagena, who just want to shack up together and have a million kids. It's all underpinned by a fourth strand in the person of the sorcerer Sarastro, who runs what can only be called a think-tank. This is an institution that promotes the same equal...